Reprinted Pieces

since I went from Westminster to the Temple, one Thursday

afternoon, in a cheap steamboat. The sky was black, when I

imprudently walked on board. It began to thunder and lighten

immediately afterwards, and the rain poured down in torrents. The

deck seeming to smoke with the wet, I went below; but so many

passengers were there, smoking too, that I came up again, and

buttoning my pea-coat, and standing in the shadow of the paddlebox,

stood as upright as I could, and made the best of it.

It was at this moment that I first beheld the terrible Being, who

is the subject of my present recollections.

Standing against the funnel, apparently with the intention of

drying himself by the heat as fast as he got wet, was a shabby man

in threadbare black, and with his hands in his pockets, who

fascinated me from the memorable instant when I caught his eye.

Where had I caught that eye before? Who was he? Why did I connect

him, all at once, with the Vicar of Wakefield, Alfred the Great,

Gil Blas, Charles the Second, Joseph and his Brethren, the Fairy

Queen, Tom Jones, the Decameron of Boccaccio, Tam O’Shanter, the

Marriage of the Doge of Venice with the Adriatic, and the Great

Plague of London? Why, when he bent one leg, and placed one hand

upon the back of the seat near him, did my mind associate him

wildly with the words, ‘Number one hundred and forty-two, Portrait

of a gentleman’? Could it be that I was going mad?

I looked at him again, and now I could have taken my affidavit that

he belonged to the Vicar of Wakefield’s family. Whether he was the

Vicar, or Moses, or Mr. Burchill, or the Squire, or a

conglomeration of all four, I knew not; but I was impelled to seize

him by the throat, and charge him with being, in some fell way,

connected with the Primrose blood. He looked up at the rain, and

then – oh Heaven! – he became Saint John. He folded his arms,

resigning himself to the weather, and I was frantically inclined to

address him as the Spectator, and firmly demand to know what he had

done with Sir Roger de Coverley.

The frightful suspicion that I was becoming deranged, returned upon

me with redoubled force. Meantime, this awful stranger,

inexplicably linked to my distress, stood drying himself at the

funnel; and ever, as the steam rose from his clothes, diffusing a

mist around him, I saw through the ghostly medium all the people I

have mentioned, and a score more, sacred and profane.

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Dickens, Charles – Reprinted Pieces

I am conscious of a dreadful inclination that stole upon me, as it

thundered and lightened, to grapple with this man, or demon, and

plunge him over the side. But, I constrained myself – I know not

how – to speak to him, and in a pause of the storm, I crossed the

deck, and said:

‘What are you?’

He replied, hoarsely, ‘A Model.’

‘A what?’ said I.

‘A Model,’ he replied. ‘I sets to the profession for a bob ahour.’

(All through this narrative I give his own words, which are

indelibly imprinted on my memory.)

The relief which this disclosure gave me, the exquisite delight of

the restoration of my confidence in my own sanity, I cannot

describe. I should have fallen on his neck, but for the

consciousness of being observed by the man at the wheel.

‘You then,’ said I, shaking him so warmly by the hand, that I wrung

the rain out of his coat-cuff, ‘are the gentleman whom I have so

frequently contemplated, in connection with a high-backed chair

with a red cushion, and a table with twisted legs.’

‘I am that Model,’ he rejoined moodily, ‘and I wish I was anything

else.’

‘Say not so,’ I returned. ‘I have seen you in the society of many

beautiful young women;’ as in truth I had, and always (I now

remember) in the act of making the most of his legs.

‘No doubt,’ said he. ‘And you’ve seen me along with warses of

flowers, and any number of table-kivers, and antique cabinets, and

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