Reprinted Pieces

– and we have two or three churches, and more chapels than I have

yet added up. But public amusements are scarce with us. If a poor

theatrical manager comes with his company to give us, in a loft,

Mary Bax, or the Murder on the Sand Hills, we don’t care much for

him – starve him out, in fact. We take more kindly to wax-work,

especially if it moves; in which case it keeps much clearer of the

second commandment than when it is still. Cooke’s Circus (Mr.

Cooke is my friend, and always leaves a good name behind him) gives

us only a night in passing through. Nor does the travelling

menagerie think us worth a longer visit. It gave us a look-in the

other day, bringing with it the residentiary van with the stained

glass windows, which Her Majesty kept ready-made at Windsor Castle,

until she found a suitable opportunity of submitting it for the

proprietor’s acceptance. I brought away five wonderments from this

exhibition. I have wondered ever since, Whether the beasts ever do

get used to those small places of confinement; Whether the monkeys

have that very horrible flavour in their free state; Whether wild

animals have a natural ear for time and tune, and therefore every

four-footed creature began to howl in despair when the band began

to play; What the giraffe does with his neck when his cart is shut

up; and, Whether the elephant feels ashamed of himself when he is

brought out of his den to stand on his head in the presence of the

whole Collection.

We are a tidal harbour at Pavilionstone, as indeed I have implied

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Dickens, Charles – Reprinted Pieces

already in my mention of tidal trains. At low water, we are a heap

of mud, with an empty channel in it where a couple of men in big

boots always shovel and scoop: with what exact object, I am unable

to say. At that time, all the stranded fishing-boats turn over on

their sides, as if they were dead marine monsters; the colliers and

other shipping stick disconsolate in the mud; the steamers look as

if their white chimneys would never smoke more, and their red

paddles never turn again; the green sea-slime and weed upon the

rough stones at the entrance, seem records of obsolete high tides

never more to flow; the flagstaff-halyards droop; the very little

wooden lighthouse shrinks in the idle glare of the sun. And here I

may observe of the very little wooden lighthouse, that when it is

lighted at night, – red and green, – it looks so like a medical

man’s, that several distracted husbands have at various times been

found, on occasions of premature domestic anxiety, going round and

round it, trying to find the Nightbell.

But, the moment the tide begins to make, the Pavilionstone Harbour

begins to revive. It feels the breeze of the rising water before

the water comes, and begins to flutter and stir. When the little

shallow waves creep in, barely overlapping one another, the vanes

at the mastheads wake, and become agitated. As the tide rises, the

fishing-boats get into good spirits and dance, the flagstaff hoists

a bright red flag, the steamboat smokes, cranes creak, horses and

carriages dangle in the air, stray passengers and luggage appear.

Now, the shipping is afloat, and comes up buoyantly, to look at the

wharf. Now, the carts that have come down for coals, load away as

hard as they can load. Now, the steamer smokes immensely, and

occasionally blows at the paddle-boxes like a vaporous whalegreatly

disturbing nervous loungers. Now, both the tide and the

breeze have risen, and you are holding your hat on (if you want to

see how the ladies hold THEIR hats on, with a stay, passing over

the broad brim and down the nose, come to Pavilionstone). Now,

everything in the harbour splashes, dashes, and bobs. Now, the

Down Tidal Train is telegraphed, and you know (without knowing how

you know), that two hundred and eighty-seven people are coming.

Now, the fishing-boats that have been out, sail in at the top of

the tide. Now, the bell goes, and the locomotive hisses and

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