And on the night Pop woke up to find he had not only walked in his sleep but taken at least one picture in it, Kevin felt as well as heard the Sun dog’s breath for the first time: a warm rush of air on his buttocks like the sultry suck of wind a subway on an express run pulls through a station where it needn’t stop. He knew the dog was close enough to spring on his back now, and that would come next; he would feel one more breath, this one not just warm but hot, as hot as acute indigestion in your throat, and then that crooked living bear-trap of a mouth would sink deep into the flesh of his back, between the shoulderblades, ripping the skin and meat off his spine, and did he think this was really just a dream? Did he?
He awoke from this last one just as Pop was gaining the top of the stairs to his apartment and resting one final time before going inside back to bed. This time Kevin woke sitting bolt upright, the sheet and blanket which had been over him puddled around his waist, his skin covered with sweat and yet freezing, a million stiff little white goose-pimples standing out all over his belly, chest, back, and arms like stigmata. Even his cheeks seemed to crawl with them.
And what he thought about was not the dream, or at least not directly; he thought instead: It’s wrong, the number is wrong, it says three but it can’t –
Then he flopped back and, in the way of children (for even at fifteen most of him was still a child and would be until later that day), he fell into a deep sleep again.
The alarm woke him at seven-thirty, as it always did on school mornings, and he found himself sitting up in bed again, wide-eyed, every piece suddenly in place. The Sun he had smashed hadn’t been his Sun, and that was why he kept having this same crazy dream over and over and over again. Pop Merrill, that kindly old crackerbarrel philosopher and repairer of cameras and clocks and small appliances, had euchered him and his father as neatly and competently as a riverboat gambler does the tenderfeet in an old Western movie.
His father -!
He heard the door downstairs slam shut and leaped out of bed. He took two running strides toward the door in his underwear, thought better of it, turned, yanked the window up, and hollered ‘Dad!’ just as his father was folding himself into the car to go to work.
CHAPTER 12
Pop dredged his key-ring up from his pocket, unlocked the ‘special’ drawer, and took out the camera, once again being careful to hold it by the strap only. He looked with some hope at the front of the Polaroid, thinking he might see that the lens had been smashed in its latest tumble, hoping that the goddam thing’s eye had been poked out, you might say, but his father had been fond of saying that the devil’s luck is always in, and that seemed to be the case with Kevin Delevan’s goddamned camera. The chipped place on the thing’s side had chipped away a little more, but that was all.
He closed the drawer and, as he turned the key, saw the one picture he’d taken in his sleep lying face-down on the floor. As unable not to look at it as Lot’s wife had been unable not to turn back and look at the destruction of Sodom, he picked it up with those blunt fingers that hid their dexterity from the world so well and turned it over.
The dog-creature had begun its spring. Its forepaws had barely left the ground, but along its misshapen backbone and in the bunches of muscle under the hide with its hair like the stiff filaments sticking out of black steel brushes he could see all that kinetic energy beginning to release itself. Its face and head were actually a little blurred in this photograph as its mouth yawned wider, and drifting up from the picture, like a sound heard under glass, he seemed to hear a low and throaty snarl beginning to rise toward a roar. The shadow-photographer looked as if he were trying to stumble back another pace, but what did it matter?
That was smoke jetting from the holes in the dog-thing’s muzzle, all right, smoke, and more smoke drifting back from the hinges of its open jaws in the little space where the croggled and ugly stake-wall of its teeth ended, and any man would stumble back from a horror like that, any man would try to turn and run, but all Pop had to do was look to tell you that the man (of course it was a man, maybe once it had been a boy, a teenage boy, but who had the camera now?) who had taken that picture in mere startled reflex, with a kind of wince of the finger … that man didn’t them, and all the difference it would make would be as to how he died: while he was on his feet or while he was on his ass.
Pop crumpled the picture between his fingers and then stuck his key-ring back into his pocket. He turned, holding what had been Kevin Delevan’s Polaroid Sun 660 and was now his Polaroid Sun 660 by the strap and started toward the back of the store; he would pause on the way just long enough to get the sledge. And as he neared the door to the back shed, a shutterflash, huge and white and soundless, went off not in front of his eyes but behind them, in his brain.
He turned back, and now his eyes were as empty as the eyes of a man who has been temporarily blinded by some bright light. He walked past the worktable with the camera now held in his hands at chest level, as one might carry a votive urn or some other sort of religious offering or relic. Halfway between the worktable and the front of the store was a bureau covered with clocks. To its left was one of the barnlike structure’s support beams, and from a hook planted in this there hung another clock, an imitation German cuckoo clock. Pop grasped it by the roof and pulled it off its hook, indifferent to the counterweights, which immediately became entangled in one another’s chains, and to the pendulum, which snapped off when one of the disturbed chains tried to twine around it. The little door below the roofpeak of the clock sprang ajar; the wooden bird poked out its beak and one startled eye. It gave a single choked sound – k ook! – as if in protest of this rough treatment before creeping back inside again.
Pop hung the Sun by its strap on the hook where the clock had been, then turned and moved toward the back of the store for the second time, his eyes still blank and dazzled. He clutched the clock by its roof, swinging it back and forth indifferently, not hearing the cluds and clunks from inside it, or the occasional strangled sound that might have been the bird trying to escape, not noticing when one of the counterweights smacked the end of an old bed, snapped off, and went rolling beneath, leaving a deep trail in the undisturbed dust of years. He moved with the blank mindless purpose of a robot. In the shed, he paused just long enough to pick up the sledgehammer by its smooth shaft. With both hands thus filled, he had to use the elbow of his left arm to knock the hook out of the eyebolt so he could push open the shed door and walk into the backyard.
He crossed to the chopping block and set the imitation German cuckoo clock on it. He stood for a moment with his head inclined down toward it, both of his hands now on the handle of the sledge. His face
remained blank, his eyes dim and dazzled, but there was a part of his mind which not only thought clearly but thought all of him was thinking – and acting – clearly. This part of him saw not a cuckoo clock which hadn’t been worth much to begin with and was now broken in the bargain; it saw Kevin’s Polaroid. This part of his mind really believed he had come downstairs, gotten the Polaroid from the drawer, and proceeded directly out back, pausing only to get the sledge.
And it was this part that would do his remembering later … unless it became convenient for him to remember some other truth. Or any other truth, for that matter.
Pop Merrill raised the sledgehammer over his right shoulder and brought it down hard – not as hard as Kevin had done, but hard enough to do the job. It struck squarely on the roof of the imitation German cuckoo clock. The clock did not so much break or shatter as splatter; pieces of plastic wood and little gears and springs flew everywhere. And what that little piece of Pop which saw would remember (unless, of course, it became convenient to remember otherwise) were pieces of camera splattering everywhere.