Stephen King – Four Past Midnight

At the moment, however, she only concentrated on getting the bills into the register as fast as she could and getting her hand off them, but even later she would remember what the surfaces of those tens had felt like.

It felt as if they were actually crawling and moving under the pads of her fingers; as if billions of germs, huge germs almost big enough to be seen with the naked eye, were sliding along them toward her, eager to infect her with whatever he had.

But the man would want his change.

She concentrated on that, lips pressed together so tightly they were dead white; four singles that did not, absolutely did not want to come out from beneath the roller that held them down in the cash drawer. Then a dime, but oh jesus-please-us, there were no dimes, and what the hell was wrong with her, what had she done to be saddled for so long with this weird old man on the one morning in recorded history when he actually seemed to want to get out of here in a hurry?

She fished out a nickel, feeling the silent, stinky loom of him so close to her (and she felt that when she was finally forced to look up she would see he was even closer, that he was leaning over the counter toward her), then three pennies, four, five … but the last one dropped back into the drawer among the quarters and she had to fish for it with one of her cold, numb fingers. It almost squirted away from her again; she could feel sweat popping out on the nape of her neck and on the little strip of skin between her nose and her upper lip. Then, clutching the coins tightly in her fist and praying he wouldn’t have his hand outstretched to receive them so she would have to touch his dry, reptilian skin, but knowing, somehow knowing that he would she looked up, feeling her bright and cheery LaVerdiere’s smile stretching the muscles of her face in a kind of frozen scream, trying to steel herself for even that, telling herself it would be the last, and never mind the image her stupid, insisting mind kept trying to make her see, an image of that dry hand suddenly snapping shut over hers like the talon of some old and horrid bird, a bird not of prey, no, not even that, but one of carrion; she told herself she did not see those images, absolutely did NOT, and, seeing them all the same, she looked up with that smile screaming off her face as brightly as a cry of murder on a hot still night, and the store was empty.

Pop was gone.

He had left while she was making change.

Molly began to shudder all over. If she had needed concrete proof that the old geezer was not right, this was it. This was proof positive, proof indubitable, proof of the purest ray serene: for the first time in her memory (and in the living memory of the town, she would have bet, and she would have won her bet), Pop Merrill, who refused to tip even on those rare occasions when he was forced to eat in a restaurant that had no take-out service, had left a place of business without waiting for his change.

Molly tried to open her hand and let go of the four ones, the nickel, and the five pennies. She was stunned to find she couldn’t do it. She had to reach over with her other hand and pry the fingers loose. Pop’s change dropped to the glass top of the counter and she swept it off to one side, not wanting to touch it.

And she never wanted to see Pop Merrill again.

CHAPTER 15

Pop’s vacant gaze held as he left LaVerdiere’s. It held as he crossed the sidewalk with the boxes of film in his hand. It broke and became an expression of somehow unsettling alertness as he stepped off into the gutter … and stopped there, with one foot on the sidewalk and one planted amid the litter of squashed cigarette butts and empty potato-chip bags. Here was another Pop Molly would not have recognized, although there were those who had been sharp-traded by the old man who would have known it quite well.

This was neither Merrill the lecher nor Merrill the robot, but Merrill the animal with its wind up. All at once he was there, in a way he seldom allowed himself to be there in public. Showing so much of one’s true self in public was not, in Pop’s estimation, a good idea. This morning, however, he was far from being in command of himself, and there was no one out to observe him, anyway. If there had been, that person would not have seen Pop the folksy crackerbarrel philosopher or even Pop the sharp trader, but something like the spirit of the man. In that moment of being totally there, Pop looked like a rogue dog himself, a stray who has gone feral and now pauses amid a midnight henhouse slaughter, raggedy ears up, head cocked, bloodstreaked teeth showing a little as he hears some sound from the farmer’s house and thinks of the shotgun with its wide black holes like a figure eight rolled onto its side. The dog knows nothing of figure eights, but even a dog may recognize the dim shape of eternity if its instincts are honed sharp enough.

Across the town square he could see the urine-yellow front of the Emporium Galorium, standing slightly apart from its nearest neighbors: the vacant building which had housed The Village Washtub until earlier that year, Nan’s Luncheonette, and You Sew and Sew, the dress-and-notions shop run by Evvie Chalmers’s great-granddaughter, Polly – a woman of whom we must speak at another time.

There were slant-parking spaces in front of all the shops on Lower Main Street, and all of them were empty

… except for one, which was just now being filled with a Ford station-wagon Pop recognized. The light throb of its engine was clearly audible in the morning-still air. Then it cut off, the brakelights went out, and Pop pulled back the foot which had been in the gutter and prudently withdrew himself to the corner of LaVerdiere’s. Here he stood as still as that dog who has been alerted in the henhouse by some small sound, the sort of sound which might be disregarded in the killing frenzy of dogs neither so old nor so wise as this one.

John Delevan got out from behind the wheel of the station-wagon. The boy got out on the passenger side.

They went to the door of the Emporium Galorium. The man began to knock impatiently, loud enough so the sound of it came as clearly to Pop as the sound of the engine had done. Delevan paused, they both listened, and then Delevan started in again, not knocking now but hammering at the door, and you didn’t have to be a goddam mind-reader to know the man was steamed up.

They know, Pop thought. Somehow they know. Damned good thing I smashed the fucking camera.

He stood a moment longer, nothing moving except his hooded eyes, and then he slipped around the corner of the drugstore and into the alley between it and the neighboring bank. He did it so smoothly that a man fifty years younger might have envied the almost effortless agility of the movement.

This morning, Pop figured, it might be a little wiser to go back home by backyard express.

CHAPTER 16

When there was still no answer, John Delevan went at the door a third time, hammering so hard he made the glass rattle loosely in its rotting putty gums and hurting his hand. It was hurting his hand that made him realize how angry he was. Not that he felt the anger was in any way unjustified if Merrill had done what Kevin thought he had done – and yes, the more he thought about it, the more John Delevan was sure that Kevin was right. But he was surprised that he hadn’t recognized the anger for what it was until just now.

This seems to be a morning for learning about myself, he thought, and there was something schoolmarmish in that. It allowed him to smile and relax a little.

Kevin was not smiling, nor did he look relaxed.

‘It seems like one of three things has happened,’ Mr Delevan said to his son. ‘Merrill’s either not up, not answering the door, or he figured we were getting warm and he’s absconded with your camera.’ He paused, then actually laughed. ‘I guess there’s a fourth, too. Maybe he died in his sleep.’

‘He didn’t die.’ Kevin now stood with his head against the dirty glass of the door he mightily wished he had never gone through in the first place. He had his hands cupped around his eyes to make blinders, because the sun rising over the east side of the town square ran a harsh glare across the glass. ‘Look.’

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