for its loved Ones to lament over, is this poor smoldering
Ash-heap. Ah, woeful, woeful Ash-heap! Let us take him
up tenderly, reverently, upon the lowly Shovel, and bear
him to his long Rest, with the Prayer that when he rises
again it will be a Realm where he will have one good square
responsible Sex, and have it all to himself, instead of
having a mangy lot of assorted Sexes scattered all over him
in Spots.
———–
There, now, the reader can see for himself that this pronoun
business is a very awkward thing for the unaccustomed tongue.
I suppose that in all languages the similarities of look
and sound between words which have no similarity in meaning
are a fruitful source of perplexity to the foreigner.
It is so in our tongue, and it is notably the case in
the German. Now there is that troublesome word VERMA”HLT:
to me it has so close a resemblance–either real or
fancied–to three or four other words, that I never know
whether it means despised, painted, suspected, or married;
until I look in the dictionary, and then I find it means
the latter. There are lots of such words and they are
a great torment. To increase the difficulty there are
words which SEEM to resemble each other, and yet do not;
but they make just as much trouble as if they did.
For instance, there is the word VERMIETHEN (to let,
to lease, to hire); and the word VERHEIRATHEN (another way
of saying to marry). I heard of an Englishman who knocked
at a man’s door in Heidelberg and proposed, in the best
German he could command, to “verheirathen” that house.
Then there are some words which mean one thing when you
emphasize the first syllable, but mean something very
different if you throw the emphasis on the last syllable.
For instance, there is a word which means a runaway,
or the act of glancing through a book, according to the
placing of the emphasis; and another word which signifies
to ASSOCIATE with a man, or to AVOID him, according to
where you put the emphasis–and you can generally depend
on putting it in the wrong place and getting into trouble.
There are some exceedingly useful words in this language.
SCHLAG, for example; and ZUG. There are three-quarters
of a column of SCHLAGS in the dictonary, and a column
and a half of ZUGS. The word SCHLAG means Blow, Stroke,
Dash, Hit, Shock, Clap, Slap, Time, Bar, Coin, Stamp, Kind,
Sort, Manner, Way, Apoplexy, Wood-cutting, Enclosure,
Field, Forest-clearing. This is its simple and EXACT
meaning–that is to say, its restricted, its fettered meaning;
but there are ways by which you can set it free,
so that it can soar away, as on the wings of the morning,
and never be at rest. You can hang any word you please
to its tail, and make it mean anything you want to.
You can begin with SCHLAG-ADER, which means artery,
and you can hang on the whole dictionary, word by word,
clear through the alphabet to SCHLAG-WASSER, which means
bilge-water–and including SCHLAG-MUTTER, which means
mother-in-law.
Just the same with ZUG. Strictly speaking, ZUG means Pull,
Tug, Draught, Procession, March, Progress, Flight, Direction,
Expedition, Train, Caravan, Passage, Stroke, Touch, Line,
Flourish, Trait of Character, Feature, Lineament, Chess-move,
Organ-stop, Team, Whiff, Bias, Drawer, Propensity, Inhalation,
Disposition: but that thing which it does NOT mean–when
all its legitimate pennants have been hung on, has not been
discovered yet.
One cannot overestimate the usefulness of SCHLAG and ZUG.
Armed just with these two, and the word ALSO, what cannot
the foreigner on German soil accomplish? The German word
ALSO is the equivalent of the English phrase “You know,”
and does not mean anything at all–in TALK, though it
sometimes does in print. Every time a German opens his
mouth an ALSO falls out; and every time he shuts it he bites
one in two that was trying to GET out.
Now, the foreigner, equipped with these three noble words,
is master of the situation. Let him talk right along,
fearlessly; let him pour his indifferent German forth,
and when he lacks for a word, let him heave a SCHLAG into
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