A Darkness in my Soul by Dean R. Koontz

camaraderie” the real estate agents spoke of. The neigh-

bors of those dead men and women had turned them in,

surely, in righteous indignation that a cell of revolutionaries

should exist in their building.

The consensus had killed them as surely as the bullets.

The consensus, I would have to soon learn, was a living,

breathing creature that could attack in vicious rage.

And the molders of the consensus had Melinda in a cell

where they could get to her at any moment….

VI

At a quarter to three in the morning, after a short nap

and a quick snack of cheese and crackers, I dressed and

slipped both loaded pistols into the pockets of the heavy

coat I was wearing. Through a series of pedways, escala-

tors, and elevators, I reached the ground level of the west

wall of the apartment complex and went outside. For a

moment, I savored the cool air, then turned right and

walked briskly toward the center of the city. I held my

chin high and made my step firm but not rushed. I tried to

look as little like a fugitive as possible. In ten minutes, I

passed a dozen other pedestrians without getting a second

glance from any of them, and I thought the ruse was

working.

Twenty-five minutes from her apartment complex, the

squat, round surface portion of the Tombs hove into sight.

This was the administrative wing, containing offices and

files. Light burned in some of the long, narrow window

slits. Below this modest and attractive nubbins, bored for

dozens of levels into the earth, were the cells and the

interrogation chambers. The place had been designed,

originally, as a modern progressive prison. But slowly,

through the years since the cold war had been renewed, it

was converted into something quite less than progressive by

those reactionaries who branded change as part of any

enemy plot, labeled disagreement as subversion. The ideal

of rehabilitation was abandoned by those who thought

punishment was better than converting to usefulness. Frus-

tration and boredom and rage were the companions of

those locked within these walls.

And Melinda was there now.

There were three howlers parked along the curb, all of

them empty and locked. At the four corners of the inter-

section, there were piles of snow which had not yet been

removed. Streetlights threw long shadows against the cir-

cular structure. There was no other person in sight, and the

scene was almost like still-life painting into which I had

walked through some unknown magic.

I had both guns shoved into my overcoat pockets,

though I prayed to an insane and unheeding God that I

would not have to use them. Indeed, I didn’t think I could

use them if the occasion arose. But, clutched in my hands,

they gave me a sense of determination, as the dying

Catholic must feel when his fingers grip his crucifix and he

doesn’t feel so bad about meeting the end.

Stepping from the curb, I crossed the icy street toward

the main entrance of the building.

The doors opened and two coppers came out, walked to

the last of the three howlers, and got in.

I kept moving. Up on the other curb, across the side-

walk, up the long flight of gray steps, my heart pounding

and my mouth dry. I pushed through the double doors

into the well-lighted lobby of the place, took it all in as I

walked across it, went down the main corridor to the

elevator, which I took down to the cell levels. The doors

opened on a guard sitting at a desk, and I received my

first challenge.

“Yeah?” he asked, looking up from the magazine of

undressed girls and overdressed fiction.

I probed out, struck into the center of his mind, fishing

through the currents of thoughts there, seeking the frag-

ments of scenery from his past and from the future he

imagined for himself. I had not done this thing since I had

been a child in the AC complex and they had made me do

it in experiments. It was distasteful and painful, to me as

well as to my victim. But I found the worst of his

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