Heinlein, Robert A – To Sail Beyond the Sunset

grammar – somewhat simplified for the benefit of Anglophonic users of this lingua

franca.

At a later time Lazarus told me that Spanglish had been adopted as the official

language for space pilots back at the time of the Space Precautionary Ad, when all

licensed space pilots were employees of Spaceways Ltd, or some other Harriman

Industries subsidiary. He told me that Galacta was still recognisably the same

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Heinlein, Robert A – To Sail Beyond the Sunset.txt

language as Spanglish centuries, millennia, later – although with a much amplified

vocabulary – much the same way and for the same reasons that the Latin of the

Caesars had been conserved and augmented for thousands of years by the Church of

Rome. Each language filled a need that kept it alive and growing.

`I always wanted to live in a world designed by Maxfield Parrish – and now I do!’

These words open a journal I started to write, early in my rejuvenation, to keep my

thoughts straight in the face of the culture shock I felt in being lifted bodily out

of the Crazy Years of Tellus Prime – and plunked down in the almost Apollonian

culture of Tellus Tertius.

Maxfield Parrish (1870-1966) was a romantic artist of my time and place who used a

realistic style and technique to paint a world more beautiful than any ever seen – a

world of cloud-capped towers and gorgeous girls and breath-stopping mountain peaks.

If ‘Maxfield Parrish blue’ means nothing to you, go to the museum of BIT and enjoy

the MP collection there, `stolen’ by means of a replicating pantograph from

twentieth century museums on the east coast of North America (and one painting in

the lobby of the Broadmoor) by a Time Corps private mission paid for by the Senior,

Lazarus Long – a birthday present to his mother on her one hundred and twenty-fifth

birthday to celebrate the silver anniversary of their marriage.

Yes, my naughty-boy son Woodrow married me, sandbagged into it by his co-wives and

brother husbands, as a result of their having sandbagged me into it – a working

majority of them; Woodrow had three of his wives with him, his twin clone-sisters

and Elizabeth who used to be Andrew Libby before his reincarnation as a woman.

At that time (Galactic 4324) the Long family had seven adults in residence: Ira

Weatheral, Galahad, Justin Foote, Hamadryad, Tamara, Ishtar, and Minerva. Galahad,

Justin, Ishtar, and Tamara you have met; Ira Weatheral was the executive of such

government as Boondock had (not much); Hamadryad was his daughter who had obviously

made a pact with the Devil; Minerva was a slender, long-haired brunette who had had

a career of more than two centuries as an administrative computer before getting

Ishtar’s assistance in becoming flesh and blood through an assembled-clone

technique.

They picked Galahad and Tamara to propose to me.

I had no plans to get married. I had married once ’till death do us part’ – and it

had turned out not to be that durable. I was most happy to be living in Boondock, my

cup overflowed at growing young again, and I was looking forward with almost

unbearable delight at the expectation of being again in Theodore’s arms. But

marriage? Why take vows that are usually broken?

Galahad said, ‘Mama Maureen, these vows will not be broken. We simply promise each

other to share in taking care of our children – support them and spank them and love

them and teach them, whatever it takes. Now believe me, this is how to do it. Marry

us now; settle it with Lazarus later. We love him – but we know him. In an emergency

Lazarus is the fastest gun in the Galaxy. But hand him a simple little social

problem and he’ll dither about it, trying to see all sides to arrive at the perfect

answer. So the only way to win an argument with Lazarus is to present him with an

accomplished fact. He’ll be home now in a few weeks – Ishtar knows the exact hour.

If he finds you married into the family and already pregnant, he will simply shut up

and marry you himself. If you will have him:

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