Mark Twain’s Speeches
by Mark Twain
Mark Twain’s Speeches
by Mark Twain
MARK TWAIN’S SPEECHES
1910
CONTENTS:
INTRODUCTION
PREFACE
THE STORY OF A SPEECH
PLYMOUTH ROCK AND THE PILGRIMS
COMPLIMENTS AND DEGREES
BOOKS, AUTHORS, AND HATS
DEDICATION SPEECH
DIE SCHRECKEN DER DEUTSCHEN SPRACHE.
THE HORRORS OF THE GERMAN LANGUAGE
GERMAN FOR THE HUNGARIANS
A NEW GERMAN WORD
UNCONSCIOUS PLAGIARISM
THE WEATHER
THE BABIES
OUR CHILDREN AND GREAT DISCOVERIES
EDUCATING THEATRE-GOERS
THE EDUCATIONAL THEATRE
POETS AS POLICEMEN
PUDD’NHEAD WILSON DRAMATIZED
DALY THEATRE
THE DRESS OF CIVILIZED WOMAN
DRESS REFORM AND COPYRIGHT
COLLEGE GIRLS
GIRLS
THE LADIES
WOMAN’S PRESS CLUB
VOTES FOR WOMEN
WOMAN-AN OPINION
ADVICE TO GIRLS
TAXES AND MORALS
TAMMANY AND CROKER
MUNICIPAL CORRUPTION
MUNICIPAL GOVERNMENT
CHINA AND THE PHILIPPINES
THEORETICAL AND PRACTICAL MORALS
LAYMAN’S SERMON
UNIVERSITY SETTLEMENT SOCIETY
PUBLIC EDUCATION ASSOCIATION
EDUCATION AND CITIZENSHIP
COURAGE
THE DINNER TO MR. CHOATE
ON STANLEY AND LIVINGSTONE
HENRY M. STANLEY
DINNER TO MR. JEROME
HENRY IRVING
DINNER TO HAMILTON W. MABIE
INTRODUCING NYE AND RILEY
DINNER TO WHITELAW REID
ROGERS AND RAILROADS
THE OLD-FASHIONED PRINTER
SOCIETY OF AMERICAN AUTHORS
READING-ROOM OPENING
LITERATURE
DISAPPEARANCE OF LITERATURE
THE NEW YORK PRESS CLUB DINNER
THE ALPHABET AND SIMPLIFIED SPELLING
SPELLING AND PICTURES
BOOKS AND BURGLARS
AUTHORS’ CLUB
BOOKSELLERS
“MARK TWAIN’s FIRST APPEARANCE”
MORALS AND MEMORY
QUEEN VICTORIA
JOAN OF ARC
ACCIDENT INSURANCE–ETC.
OSTEOPATHY
WATER-SUPPLY
MISTAKEN IDENTITY
CATS AND CANDY
OBITUARY POETRY
CIGARS AND TOBACCO
BILLIARDS
THE UNION RIGHT OR WRONG?
AN IDEAL FRENCH ADDRESS
STATISTICS
GALVESTON ORPHAN BAZAAR
SAN FRANCISCO EARTHQUAKE
CHARITY AND ACTORS
RUSSIAN REPUBLIC
RUSSIAN SUFFERERS
WATTERSON AND TWAIN AS REBELS
ROBERT FULTON FUND
FULTON DAY, JAMESTOWN
LOTOS CLUB DINNER IN HONOR OF MARK TWAIN
COPYRIGHT
IN AID OF THE BLIND
DR. MARK TWAIN, FARMEOPATH
MISSOURI UNIVERSITY SPEECH
BUSINESS
CARNEGIE THE BENEFACTOR
ON POETRY, VERACITY, AND SUICIDE
WELCOME HOME
AN UNDELIVERED SPEECH
SIXTY-SEVENTH BIRTHDAY
TO THE WHITEFRIARS
THE ASCOT GOLD CUP
THE SAVAGE CLUB DINNER
GENERAL MILES AND THE DOG
WHEN IN DOUBT, TELL THE TRUTH
THE DAY WE CELEBRATE
INDEPENDENCE DAY
AMERICANS AND THE ENGLISH
ABOUT LONDON
PRINCETON
THE ST. LOUIS HARBOR-BOAT “MARK TWAIN”
SEVENTIETH BIRTHDAY
INTRODUCTION
These speeches will address themselves to the minds and hearts of those
who read them, but not with the effect they had with those who heard
them; Clemens himself would have said, not with half the effect. I have
noted elsewhere how he always held that the actor doubled the value of
the author’s words; and he was a great actor as well as a great author.
He was a most consummate actor, with this difference from other actors,
that he was the first to know the thoughts and invent the fancies to
which his voice and action gave the color of life. Representation is the
art of other actors; his art was creative as well as representative; it
was nothing at second hand.
I never heard Clemens speak when I thought he quite failed; some burst
or spurt redeemed him when he seemed flagging short of the goal, and,
whoever else was in the running, he came in ahead. His near-failures
were the error of a rare trust to the spontaneity in which other speakers
confide, or are believed to confide, when they are on their feet. He
knew that from the beginning of oratory the orator’s spontaneity was for
the silence and solitude of the closet where he mused his words to an
imagined audience; that this was the use of orators from Demosthenes and
Cicero up and down. He studied every word and syllable, and memorized
them by a system of mnemonics peculiar to himself, consisting of an
arbitrary arrangement of things on a table–knives, forks, salt-cellars;
inkstands, pens, boxes, or whatever was at hand–which stood for points
and clauses and climaxes, and were at once indelible diction and constant
suggestion. He studied every tone and every gesture, and he forecast the
result with the real audience from its result with that imagined
audience. Therefore, it was beautiful to see him and to hear him; he
rejoiced in the pleasure he gave and the blows of surprise which he
dealt; and because he had his end in mind, he knew when to stop.
I have been talking of his method and manner; the matter the reader has