I am crippled in that way and to that extent, for I would ever so much
like to do it. I am not a Congress, and I cannot distribute pensions,
and I don’t know any other legitimate way to buy a vote. But if I should
think of any legitimate way, I shall make use of it, and then I shall
vote for Mr. Jerome.
HENRY IRVING
The Dramatic and Literary Society of London gave a welcome-home
dinner to Sir Henry Irving at the Savoy Hotel, London, June 9,
1900. In proposing the toast of “The Drama” Mr. Clemens said:
I find my task a very easy one. I have been a dramatist for thirty
years. I have had an ambition in all that time to overdo the work of the
Spaniard who said he left behind him four hundred dramas when he died.
I leave behind me four hundred and fifteen, and am not yet dead.
The greatest of all the arts is to write a drama. It is a most difficult
thing. It requires the highest talent possible and the rarest gifts.
No, there is another talent that ranks with it–for anybody can write a
drama–I had four hundred of them–but to get one accepted requires real
ability. And I have never had that felicity yet.
But human nature is so constructed, we are so persistent, that when we
know that we are born to a thing we do not care what the world thinks
about it. We go on exploiting that talent year after year, as I have
done. I shall go on writing dramas, and some day the impossible may
happen, but I am not looking for it.
In writing plays the chief thing is novelty. The world grows tired of
solid forms in all the arts. I struck a new idea myself years ago.
I was not surprised at it. I was always expecting it would happen.
A person who has suffered disappointment for many years loses confidence,
and I thought I had better make inquiries before I exploited my new idea
of doing a drama in the form of a dream, so I wrote to a great authority
on knowledge of all kinds, and asked him whether it was new.
I could depend upon him. He lived in my dear home in America–that dear
home, dearer to me through taxes. He sent me a list of plays in which
that old device had been used, and he said that there was also a modern
lot. He travelled back to China and to a play dated two thousand six
hundred years before the Christian era. He said he would follow it up
with a list of the previous plays of the kind, and in his innocence would
have carried them back to the Flood.
That is the most discouraging thing that has ever happened to me in my
dramatic career. I have done a world of good in a silent and private
way, and have furnished Sir Henry Irving with plays and plays and plays.
What has he achieved through that influence. See where he stands now–
on the summit of his art in two worlds and it was I who put him there
–that partly put him there.
I need not enlarge upon the influence the drama has exerted upon
civilization. It has made good morals entertaining. I am to be followed
by Mr. Pinero. I conceive that we stand at the head of the profession.
He has not written as many plays as I have, but he has lead that God-
given talent, which I lack, of working hem off on the manager. I couple
his name with this toast, and add the hope that his influence will be
supported in exercising his masterly handicraft in that great gift, and
that he will long live to continue his fine work.
DINNER TO HAMILTON W. MABIE
ADDRESS DELIVERED APRIL 29, 1901
In introducing Mr. Clemens, Doctor Van Dyke said:
“The longer the speaking goes on to-night the more I wonder how
I got this job, and the only explanation I can give for it is
that it is the same kind of compensation for the number of