I mean folks like the Jarvises, and the Bledsoes and Burlings, and such.
They are all about ruined. The most substantial people in our set, they
were. And now look at them–utterly used up and poverty-stricken. One
of the Bledsoes actually traded his monument to a late barkeeper for some
fresh shavings to put under his head. I tell you it speaks volumes, for
there is nothing a corpse takes so much pride in as his monument. He
loves to read the inscription. He comes after a while to believe what it
says himself, and then you may see him sitting on the fence night after
night enjoying it. Epitaphs are cheap, and they do a poor chap a world
of good after he is dead, especially if he had hard luck while he was
alive. I wish they were used more. Now I don’t complain, but
confidentially I do think it was a little shabby in my descendants to
give me nothing but this old slab of a gravestone–and all the more that
there isn’t a compliment on it. It used to have:
‘GONE TO HIS JUST REWARD’
on it, and I was proud when I first saw it, but by and by I noticed that
whenever an old friend of mine came along he would hook his chin on the
railing and pull a long face and read along down till he came to that,
and then he would chuckle to himself and walk off, looking satisfied and
comfortable. So I scratched it off to get rid of those fools. But a
dead man always takes a deal of pride in his monument. Yonder goes half
a dozen of the Jarvises now, with the family monument along. And
Smithers and some hired specters went by with his awhile ago. Hello,
Higgins, good-by, old friend! That’s Meredith Higgins–died in ’44–
belongs to our set in the cemetery–fine old family–great-grand mother
was an Injun–I am on the most familiar terms with him he didn’t hear me
was the reason he didn’t answer me. And I am sorry, too, because I would
have liked to introduce you. You would admire him. He is the most
disjointed, sway-backed, and generally distorted old skeleton you ever
saw, but he is full of fun. When he laughs it sounds like rasping two
stones together, and he always starts it off with a cheery screech like
raking a nail across a window-pane. Hey, Jones! That is old Columbus
Jones–shroud cost four hundred dollars entire trousseau, including
monument, twenty-seven hundred. This was in the spring of ’26. It was
enormous style for those days. Dead people came all the way from the
Alleghanies to see his things–the party that occupied the grave next to
mine remembers it well. Now do you see that individual going along with
a piece of a head-board under his arm, one leg-bone below his knee gone,
and not a thing in the world on? That is Barstow Dalhousie, and next to
Columbus Jones he was the most sumptuously outfitted person that ever
entered our cemetery. We are all leaving. We cannot tolerate the
treatment we are receiving at the hands of our descendants. They open
new cemeteries, but they leave us to our ignominy. They mend the
streets, but they never mend anything that is about us or belongs to us.
Look at that coffin of mine–yet I tell you in its day it was a piece of
furniture that would have attracted attention in any drawing-room in this
city. You may have it if you want it–I can’t afford to repair it.
Put a new bottom in her, and part of a new top, and a bit of fresh lining
along the left side, and you’ll find her about as comfortable as any
receptacle of her species you ever tried. No thanks no, don’t mention it
you have been civil to me, and I would give you all the property I have
got before I would seem ungrateful. Now this winding-sheet is a kind of
a sweet thing in its way, if you would like to– No? Well, just as you
say, but I wished to be fair and liberal there’s nothing mean about me.