plea of a previous engagement. The Colonel followed him to the door,
promising over and over again that he would use his influence to get some
of the Early Malcolms for him, and insisting that he should not be such a
stranger but come and take pot-luck with him every chance he got.
Washington was glad enough to get away and feel free again. He
immediately bent his steps toward home.
In bed he passed an hour that threatened to turn his hair gray, and then
a blessed calm settled down upon him that filled his heart with
gratitude. Weak and languid, he made shift to turn himself about and
seek rest and sleep; and as his soul hovered upon the brink of
unconciousness, he heaved a long, deep sigh, and said to himself that in
his heart he had cursed the Colonel’s preventive of rheumatism, before,
and now let the plague come if it must–he was done with preventives;
if ever any man beguiled him with turnips and water again, let him die
the death.
If he dreamed at all that night, no gossiping spirit disturbed his
visions to whisper in his ear of certain matters just then in bud in the
East, more than a thousand miles away that after the lapse of a few years
would develop influences which would profoundly affect the fate and
fortunes of the Hawkins family.
CHAPTER XII
“Oh, it’s easy enough to make a fortune,” Henry said.
“It seems to be easier than it is, I begin to think,” replied Philip.
“Well, why don’t you go into something? You’ll never dig it out of the
Astor Library.”
If there be any place and time in the world where and when it seems easy
to “go into something” it is in Broadway on a spring morning, when one is
walking city-ward, and has before him the long lines of palace-shops with
an occasional spire seen through the soft haze that lies over the lower
town, and hears the roar and hum of its multitudinous traffic.
To the young American, here or elsewhere, the paths to fortune are
innumerable and all open; there is invitation in the air and success in
all his wide horizon. He is embarrassed which to choose, and is not
unlikely to waste years in dallying with his chances, before giving
himself to the serious tug and strain of a single object. He has no
traditions to bind him or guide him, and his impulse is to break away
from the occupation his father has followed, and make a new way for
himself.
Philip Sterling used to say that if he should seriously set himself for
ten years to any one of the dozen projects that were in his brain, he
felt that he could be a rich man. He wanted to be rich, he had a sincere
desire for a fortune, but for some unaccountable reason he hesitated
about addressing himself to the narrow work of getting it. He never
walked Broadway, a part of its tide of abundant shifting life, without
feeling something of the flush of wealth, and unconsciously taking the
elastic step of one well-to-do in this prosperous world.
Especially at night in the crowded theatre–Philip was too young to
remember the old Chambers’ Street box, where the serious Burton led his
hilarious and pagan crew–in the intervals of the screaming comedy, when
the orchestra scraped and grunted and tooted its dissolute tunes, the
world seemed full of opportunities to Philip, and his heart exulted with
a conscious ability to take any of its prizes he chose to pluck.
Perhaps it was the swimming ease of the acting, on the stage, where
virtue had its reward in three easy acts, perhaps it was the excessive
light of the house, or the music, or the buzz of the excited talk between
acts, perhaps it was youth which believed everything, but for some reason
while Philip was at the theatre he had the utmost confidence in life and
his ready victory in it.
Delightful illusion of paint and tinsel and silk attire, of cheap
sentiment and high and mighty dialogue! Will there not always be rosin
enough for the squeaking fiddle-bow?