“You have been well-grounded, Spike,” he said. “And, after all, that
is half the battle. The advice I give to every novice is, ‘Learn to
walk before you try to run.’ Master the a, b, c, of the craft first.
With a little careful coaching, you will do. Just so. Pop in.”
Spike climbed cautiously over the sill, followed by Jimmy. The
latter struck a match, and found the electric light switch. They
were in a parlor, furnished and decorated with surprising taste.
Jimmy had expected the usual hideousness, but here everything from
the wall-paper to the smallest ornaments was wonderfully well
selected.
Business, however, was business. This was no time to stand admiring
artistic effects in room-furnishing. There was that big J to be
carved on the front door. If ’twere done, then ’twere well ’twere
done quickly.
He was just moving to the door, when from some distant part of the
house came the bark of a dog. Another joined in. The solo became a
duet. The air was filled with their clamor.
“Gee!” cried Spike.
The remark seemed more or less to sum up the situation.
“‘Tis sweet,” says Byron, “to hear the watch-dog’s honest bark.”
Jimmy and Spike found two watch-dogs’ honest barks cloying. Spike
intimated this by making a feverish dash for the open window.
Unfortunately for the success of this maneuver, the floor of the
room was covered not with a carpet but with tastefully scattered
rugs, and underneath these rugs it was very highly polished. Spike,
treading on one of these islands, was instantly undone. No power of
will or muscle can save a man in such a case. Spike skidded. His
feet flew from under him. There was a momentary flash of red head,
as of a passing meteor. The next moment, he had fallen on his back
with a thud that shook the house. Even in the crisis, the thought
flashed across Jimmy’s mind that this was not Spike’s lucky night.
Upstairs, the efforts of the canine choir had begun to resemble the
“A che la morte” duet in “Il Trovatore.” Particularly good work was
being done by the baritone dog.
Spike sat up, groaning. Equipped though he was by nature with a
skull of the purest and most solid ivory, the fall had disconcerted
him. His eyes, like those of Shakespeare’s poet, rolling in a fine
frenzy, did glance from heaven to earth, from earth to heaven. He
passed his fingers tenderly through his vermilion hair.
Heavy footsteps were descending the stairs. In the distance, the
soprano dog had reached A in alt., and was holding it, while his
fellow artiste executed runs in the lower register.
“Get up!” hissed Jimmy. “There’s somebody coming! Get up, you idiot,
can’t you!”
It was characteristic of Jimmy that it never even occurred to him to
desert the fallen one, and depart alone. Spike was his brother-in-
arms. He would as soon have thought of deserting him as a sea-
captain would of abandoning the ship.
Consequently, as Spike, despite all exhortations, continued to
remain on the floor, rubbing his head and uttering “Gee!” at
intervals in a melancholy voice, Jimmy resigned himself to fate, and
stood where he was, waiting for the door to open.
It opened the next moment as if a cyclone had been behind it.
CHAPTER VII
GETTING ACQUAINTED
A cyclone, entering a room, is apt to alter the position of things.
This cyclone shifted a footstool, a small chair, a rug, and Spike.
The chair, struck by a massive boot, whirled against the wall. The
foot-stool rolled away. The rug crumpled up and slid. Spike, with a
yell, leaped to his feet, slipped again, fell, and finally
compromised on an all-fours position, in which attitude he remained,
blinking.
While these stirring acts were in progress, there was the sound of a
door opening upstairs, followed by a scuttering of feet and an
appalling increase in the canine contribution to the current noises.
The duet had now taken on quite a Wagnerian effect.
There raced into the room first a white bull-terrier, he of the
soprano voice, and–a bad second–his fellow artiste, the baritone,
a massive bull-dog, bearing a striking resemblance to the big man