the Odyssey of Jimmy Pitt was interrupted by the opening of the door
and the entrance of Ulysses in person.
Jimmy Pitt was a young man of medium height, whose great breadth and
depth of chest made him look shorter than he really was. His jaw was
square, and protruded slightly; and this, combined with a certain
athletic jauntiness of carriage and a pair of piercing brown eyes
very much like those of a bull-terrier, gave him an air of
aggressiveness, which belied his character. He was not aggressive.
He had the good-nature as well as the eyes of a bull-terrier. Also,
he possessed, when stirred, all the bull-terrier’s dogged
determination.
There were shouts of welcome.
“Hullo, Jimmy!”
“When did you get back?”
“Come and sit down. Plenty of room over here.”
“Where is my wandering boy tonight?”
“Waiter! What’s yours, Jimmy?”
Jimmy dropped into a seat, and yawned.
“Well,” he said, “how goes it? Hullo, Raikes! Weren’t you at ‘Love,
the Cracksman’? I thought I saw you. Hullo, Arthur! Congratulate
you. You spoke your piece nicely.”
“Thanks,” said Mifflin. “We were just talking about you, Jimmy. You
came on the Lusitania, I suppose?”
“She didn’t break the record this time,” said Sutton.
A somewhat pensive look came into Jimmy’s eyes.
“She came much too quick for me,” he said. “I don’t see why they
want to rip along at that pace,” he went on, hurriedly. “I like to
have a chance of enjoying the sea-air.”
“I know that sea-air,” murmured Mifflin.
Jimmy looked up quickly.
“What are you babbling about, Arthur?”
“I said nothing,” replied Mifflin, suavely.
“What did you think of the show tonight, Jimmy?” asked Raikes.
“I liked it. Arthur was fine. I can’t make out, though, why all this
incense is being burned at the feet of the cracksman. To judge by
some of the plays they produce now, you’d think that a man had only
to be a successful burglar to become a national hero. One of these
days, we shall have Arthur playing Charles Peace to a cheering
house.”
“It is the tribute,” said Mifflin, “that bone-headedness pays to
brains. It takes brains to be a successful cracksman. Unless the
gray matter is surging about in your cerebrum, as in mine, you can’t
hope–”
Jimmy leaned back in his chair, and spoke calmly but with decision.
“Any man of ordinary intelligence,” he said, “could break into a
house.”
Mifflin jumped up and began to gesticulate. This was heresy.
“My good man, what absolute–”
“_I_ could,” said Jimmy, lighting a cigarette.
There was a roar of laughter and approval. For the past few weeks,
during the rehearsals of “Love, the Cracksman,” Arthur Mifflin had
disturbed the peace at the Strollers’ with his theories on the art
of burglary. This was his first really big part, and he had soaked
himself in it. He had read up the literature of burglary. He had
talked with men from Pinkerton’s. He had expounded his views nightly
to his brother Strollers, preaching the delicacy and difficulty of
cracking a crib till his audience had rebelled. It charmed the
Strollers to find Jimmy, obviously of his own initiative and not to
be suspected of having been suborned to the task by themselves,
treading with a firm foot on the expert’s favorite corn within five
minutes of their meeting.
“You!” said Arthur Mifflin, with scorn.
“I!”
“You! Why, you couldn’t break into an egg unless it was a poached
one.”
“What’ll you bet?” said Jimmy.
The Strollers began to sit up and take notice. The magic word “bet,”
when uttered in that room, had rarely failed to add a zest to life.
They looked expectantly at Arthur Mifflin.
“Go to bed, Jimmy,” said the portrayer of cracksmen. “I’ll come with
you and tuck you in. A nice, strong cup of tea in the morning, and
you won’t know there has ever been anything the matter with you.”
A howl of disapproval rose from the company. Indignant voices
accused Arthur Mifflin of having a yellow streak. Encouraging voices
urged him not to be a quitter.
“See! They scorn you,” said Jimmy. “And rightly. Be a man, Arthur.
What’ll you bet?”
Mr. Mifflin regarded him with pity.