Roughing It by Mark Twain

other chemical rubbish to assist digestion; if they were crisp to the

touch and would retain a dint, they were freighted with all the silver

and gold they could seize and hold, and consequently the pan needed a

fresh charge of quicksilver. When there was nothing else to do, one

could always “screen tailings.” That is to say, he could shovel up the

dried sand that had washed down to the ravine through the troughs and

dash it against an upright wire screen to free it from pebbles and

prepare it for working over.

The process of amalgamation differed in the various mills, and this

included changes in style of pans and other machinery, and a great

diversity of opinion existed as to the best in use, but none of the

methods employed, involved the principle of milling ore without

“screening the tailings.” Of all recreations in the world, screening

tailings on a hot day, with a long-handled shovel, is the most

undesirable.

At the end of the week the machinery was stopped and we “cleaned up.”

That is to say, we got the pulp out of the pans and batteries, and washed

the mud patiently away till nothing was left but the long accumulating

mass of quicksilver, with its imprisoned treasures. This we made into

heavy, compact snow-balls, and piled them up in a bright, luxurious heap

for inspection. Making these snow-balls cost me a fine gold ring–that

and ignorance together; for the quicksilver invaded the ring with the

same facility with which water saturates a sponge–separated its

particles and the ring crumbled to pieces.

We put our pile of quicksilver balls into an iron retort that had a pipe

leading from it to a pail of water, and then applied a roasting heat.

The quicksilver turned to vapor, escaped through the pipe into the pail,

and the water turned it into good wholesome quicksilver again.

Quicksilver is very costly, and they never waste it. On opening the

retort, there was our week’s work–a lump of pure white, frosty looking

silver, twice as large as a man’s head. Perhaps a fifth of the mass was

gold, but the color of it did not show–would not have shown if two

thirds of it had been gold. We melted it up and made a solid brick of it

by pouring it into an iron brick-mould.

By such a tedious and laborious process were silver bricks obtained.

This mill was but one of many others in operation at the time. The first

one in Nevada was built at Egan Canyon and was a small insignificant

affair and compared most unfavorably with some of the immense

establishments afterwards located at Virginia City and elsewhere.

From our bricks a little corner was chipped off for the “fire-assay”–a

method used to determine the proportions of gold, silver and base metals

in the mass. This is an interesting process. The chip is hammered out

as thin as paper and weighed on scales so fine and sensitive that if you

weigh a two-inch scrap of paper on them and then write your name on the

paper with a course, soft pencil and weigh it again, the scales will take

marked notice of the addition.

Then a little lead (also weighed) is rolled up with the flake of silver

and the two are melted at a great heat in a small vessel called a cupel,

made by compressing bone ashes into a cup-shape in a steel mold. The

base metals oxydize and are absorbed with the lead into the pores of the

cupel. A button or globule of perfectly pure gold and silver is left

behind, and by weighing it and noting the loss, the assayer knows the

proportion of base metal the brick contains. He has to separate the gold

from the silver now. The button is hammered out flat and thin, put in

the furnace and kept some time at a red heat; after cooling it off it is

rolled up like a quill and heated in a glass vessel containing nitric

acid; the acid dissolves the silver and leaves the gold pure and ready to

be weighed on its own merits. Then salt water is poured into the vessel

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